From Walmart to the Tube, Webbie make another grand entrance and shuts the muthafucka down with his new video off his Savage Life 3. Click play at your own risk. wshh
Tag: webbie
While on a boat with NBC’s Peter Bailey, 106 & Park host Rocsi Diaz says (5:00 mark) that Webbie was harassing her during his appearance on the show last month. We find that hard to believe. Despite Webster’s behavior, she says that she’s still a fan of his music. In that case, Savage Life 3 in stores now.
Webbie’s watching the throne and a bunch of rump shakers for his new music video. Bounce dat ass to Best Buy and pick up Savage Life 3 this Tuesday.
Once again, Webbie brings his mindless behavior to life with his latest recording. This will not appear on Savage Life 3 which drops November 15th.
Now this is an interview. Ozone‘s Julia Beverly caught up with Webbie at WalMart Wally World where he spoke on the controversial BET ban. Afterwards, he reenacts the incident with an employee. After the jump, Webster shares his political views on Occupy Wall Street, voting, Obama, Hurricane Katrina, and the 9/11 conspiracies, which resulted in him getting kicked out. Quotes for days, man.
What a slap in the face. After 106 & Park host Terrence J banned Webbie from the BET
Webbie appeared as a judge yesterday on 106 & Park‘s Freestyle Fridays. Afterward, host Terrence J announced that Webster was banned from the show. Better hold on tight, Rocsi.
Webbie’s back on his own and returns with the third installment of his Savage Life series. Album drops on November 15th. Peep the first single and video after the jump.
Man, Boosie’s incarceration must’ve affected Webbie’s rhymes. If you dare to bare, check out Webster’s new video. If this is what we have to look forward to from Savage Life 3, Free Bad Azz immediately.
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.