Using some down time during their 2050 tour, Juicy J and Wiz Khalifa throw one trippy party on the tour bus in their new video.
Author: Paul “Big Homie” Duong
To recognize civil rights activist Denmark Vesey, who was freed Nov. 9, 1799, dead prez’ M1 and Nas releases this cut with Beatnick & K-Salaam on the hook and production. Bump it and let freedom ring. xzone
“Fuck this nigga, he can’t get into America” While out in NY last week, Game weathered the storm and shot a video to kick off his new Offering series. New music for his Sunday Service continues tomorrow.
Somewhere out in the City of Angels, the choppers are looking for Sosa. Just locate that nice Bentley and you’ll find him and his new video. Finally Rich on December 18.
A few days ago, Jermaine announced his sophomore set, Born Sinner. Today, he teases us with his first single. The full product arrives this Tuesday.
Ay! After a long hiatus of making music, Santana is back. Bad news is Reagan Era has passed, but the good news is he’s got two installments coming soon.
Last night, the Abbot sat alongside Carson Daly to discuss how The Man With The Iron Fists came about, experiences directing, Kung Fu influences and more. Film in theaters now.
For those that don’t know, MMG is out on the road for their tour. Opening up with a tribute to Obama’s victory, Shutah Films highlights the crew’s first few shows.
Taking balling to another level is Slim Thug, Pill and Blaze Burna on this track, which rolls out producer Cy Fyre’s weekly music series, #FYREFRYDAYS. hhnm
Move over Marv. Last night, Clifford Harris joined Duane Ferrell and Bob Rathbun courtside at Philips Arena to call portions of his team’s 95-89 loss against the Miami Heat. Ball!
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.