For those not knowing, Gunplay’s Cops N Robbers is on the way. Now on house arrest, Logan arrives with some new audio for our ears—the hard way.
Author: Paul “Big Homie” Duong
With the Angel of Death lurking, Slaughterhouse share their personal losses in welcome to: Our House‘s emotional video. Directed by Rik Cordero.
After blessing the stage with Khaled in Orlando, French Montana hits the lab with Future to record some music. Supplied with green and purple, watch how two of the hottest in the game work.
Yelawolf’s life on the road these days gets better and better. In the ninth episode, we catch the trek in Mil-a-wau-kee. Loitering outside and a Bieber concert? Fug-yeah! Previously: Pt. 8
At Rough Trade, K-Dot performed GKMC live for the first time on UK soil. Above, SoulCulture catches his MC Eiht-collabo. “Bitch, Don’t Kill My Vibe” and “Backseat Freestyle” below.
Inspired by Da Ranjahz’s “Inspiration“, F.A.B. still neglects his pen and pad and hollers at DJ Premier with his new unwritten rap. The Realest Shit I Never Wrote 6 coming soon.
Kicking off Yahoo‘s Crash Concert series, 50 surprised the kids at Brooklyn’s Madison Square Boys & Girls Club and performed “New Day” with Tony Yayo and DJ Whoo Kid. Watch it below.
Move over Freestyle Fridays. Nick turns up Meek’s beat as well as the auto-tune for his weekly freestyle series. Don’t worry, the next 7 days will go by quick.
Electrofying and funky, Antwan and A$AP rap their lines over the smooth vocals of indie Pop tandem, Phantogram. This will be included on Vicious Lies & Dangerous Rumors on December 11. stereo gum
A few weeks back, YN invaded Combat Jack’s radio show. Before the full clip arrives, here’s his segment discussing rap’s URLs that changed the game. If you weren’t name dropped, blog harder.
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.