Still choppin’ it up with Westwood, Combs continues his braggin’ and boastin’. At the end of the day, he wants all of his six kids to have a 100 mil in the bank each. And no he’s not really 55. Hi haters. Ha!
Drizzy can’t get Sade to work with him, but he did bless Mobile Alabama’s finest with a guest appearance for his upcoming album. Who knew he and Rich Boy go back? “Drake, you know how he do. He do his melodizing. He did his thing,” says Rich Boy. “But we also did a song way back before he blew up called ‘Must Hate Money’ and you could YouTube it. I kinda had a good feeling about him. He did this […]
Not only did MJB get interviewed during her appearance on David Letterman last night, she also performed a free webcast after the taping of the program. Get your popcorn. It’s showtime!
Ha! OK, he gets a pass.
“When New York niggas were callin’ Southern rappers lame but then jackin’ our slang” During his first time at Cipha Sounds and Peter Rosenberg’s Hot 97 morning show yesterday, Jay Elect explains that the above line ain’t a diss, but rooted in personal experience. Hey, if the truth hurts, you’ll be in pain. DGG
“Put a peace sign up for Weezy on the Island” DJ Envy’s man goes in on the big Southern hit. That instrumental is still so much better that what Roscoe and SB did to it. Hey shouldn’t this guy be signed with Combs by now? Splash
Once again, it’s on. Last night, Ms. Adu visited another talk show. No interview. Title track performance. Oh well, she’s still number one. 502, 000 people can’t be wrong. When’s the tour? UHTN
We showed you some clips a few days ago, but here’s the whole thing of Drizzy in Dallas with a lil help from King James at the end. Sidebar: Inside Bron Bron and Hov‘s talk with the kids. SMH at SC for hatin’ on dude’s hoop dreams. Ha.
Beans was a guest at Freeway’s show last night in Philly and he’s still singing the same tune. When will he let this shit go with Hov already? And oh yeah, Clifford catches a shot at the end too. B Mack don’t give a fuck, boo!
The Evil Genius just sent over the mastered version of his all-star posse cut that he broke last night. Here’s the dirty and instrumental to rock with. Clean versions get the jock unless you’re a radio jock. Ha. Dirty Instrumental
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This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.