If you copped The Stimulus Package album like I did today, you get a lil credit card that gives you the right to download the instrumental version of the CD in its entire order. Sweet! Here’s one of my favorite beats to encourage you to make like YN and get your copy today. Not manana—Today! Ok?
“They got a Steve Harvey cut on they suit” Mr. Combs appreciates the praise he’s gotten from his guest spot on Waka Flocka but he’s unfortunately stickin’ to his singing thing. The Last Train is still on schedule for June and the version of “Angels” with Lupe is on the way. At this point, I think we all rather hear Sean spit. Can you believe it? Westwood
Read it and weep. Most of the shit leaked. *Jordan shrug* See ya on March 30. 01 Monstar (Prod. By Jimmy Jam & Terry Lewis) 02 Hey Daddy (Daddy’s Home) (feat. Plies) (Prod By The Runners) 03 There Goes My Baby (Prod By Jim jonsin) 04 She Don’t Know (feat. Ludacris) (Prod. By Bangladesh) 05 Mars vs Venus (Prod. By Jimmy Jam & Terry Lewis) 06 Get In My Car (feat. Bun B) (Prod By Polow Da Don) 07 Foolin’ […]
With Travis Barker on drums, The Queen of Hip-Hop Soul takes on a rock radio staple for the international re-release of Stronger With Each Tear due March 15. Can’t wait to hear the end result. ET
Look who took in the All-Star game. But wait ole girl went brunette?! I swear to God everytime I see Bridges’ squeeze she looks different. Oh well. Crush over! Previously: Vol. 1 & Vol. 2
According to XXL, Mr. “Gone” inked up with Lyor’s spot. That’s a good thing, right? Donnis points out Def Jam, Asylum, and Jive lost out and he got a EP and mixtape, Southern Comfort on the way. After that, time for his album, Past Visions Of The Future. Good luck, kid.
“This court will make you feel brand new”? Me no like what she did to the “Empire”. C’mon, Cook!
[vodpod id=Video.3051922&w=425&h=350&fv=configParams%3Dinstance%3Dnews%26amp%3Bid%3D1631876%26amp%3Bvid%3D483822] The 1515 Boys caught up with the Roc Boy and explained why he passed on Q’s session. ‘We Are the World’ is like [Michael Jackson’s] ‘Thriller’ to me. I don’t ever wanna see it touched. I’m a fan of music. I know the plight and everything that’s going on in Haiti. I applaud the efforts: [Millions have been raised] through text [donations] to Haiti. So I appreciate the efforts and everything, but ‘We are the World’ is [musically] […]
We showed you the behind-the-scenes and online spread, but here’s Scotty’s actual cover and what you’d see if you kids ever purchased a publication. Ha!
That’s right, the black sheep of the G.O.O.D. Music fam revealed that the crew is ready to put that work in for President’s day. Guess Mr. West is keepin’ his old-ass album title. Hannah Sidebar: Guess where Pat’s headed?
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This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.