
Is there no accounting for taste nowadays? SMH. Last time I saw this nigga, he was on a go cart at the VMA’s.
Read all about it: Los Angeles Times © X-to-tha-Z

Is there no accounting for taste nowadays? SMH. Last time I saw this nigga, he was on a go cart at the VMA’s.
Read all about it: Los Angeles Times © X-to-tha-Z
[youtube=http://www.youtube.com/watch?v=qp5NIxWdUbI]
I only meant to do one today but this blues legend just passed. Sad.
[vimeo http://vimeo.com/4894256]
OK, let’s balance B.Dot’s Gay Fish bashin’ (Hey the kid’s from Southside Jamaica, Queens—he ain’t got no boss) and post what appears to be the final version of the “Paranoid” video. Again, I think this joint had summer hit potential, but the video goes in a whole other direction. Nice try but…
Props: Nah Right
Sidebar: SeanTheRobot got good ears. It does sound re-mastered. That I like and appreciate.

Ma, you got a sticker on your head.
{mp3}05 – mary wells – two lovers history{/mp3}

It’s not good when your album leaks the same day it gets pushed back two months. This guy stays losing. SMH.
{mp3}15 history ft. talib kweli{/mp3}
Previously: Black Star Reunion Show: “History” x “The Panties”
Sidebar: That Slick Rick collab is kinda hot.

Who says Nawlins hustlin’ big bosess can’t get along? In today’s V60, Weezy’s poppa gives it up to Mr. Miller.
Baby: I mean, shit, to me, Master P was one of the best hustlers to ever do this shit. He did it big—35 albums in one year, bruh. Ain’t nobody ever did that. I think he did it one of the best. I think Master P accomplished something nobody ever did and probably nobody will ever do, too. To where today that seems damn impossible. I just stayed focused on what we was doing. I ain’t never wanted to be what the next man was doing. I respect what they accomplished.
Cosign: I was workin’ at The Source during No Limit mania and it really was insane. Barbara P had an advance CD like every other week for the kid. I still got my custom leather jacket somewhere. Yeah, YN witnessed a movement or two. Or ten. Or fifteen. Or 20. Ha!

I got an email today from Def Jam about their latest signing from South Carolina. Apparently dude has a really big record called “Nasty Song” and is no longer on good terms with a certain controversial radio personality.

*Speechless*
[youtube=http://www.youtube.com/watch?v=vSR9qtO4x4s]
I know you’ve heard this on the radio. The guys behind this soft rock classic just got crazy paid. 100% Publishing—here we come!
Great Find: Writer’s Block Media

I thought I saw something like this floatin’ around the Internets earlier this year, but Rolling Stone got the brothers from Long Island to give a track by track account on the 20th Anniversary of their classic debut. Yup, you could say YN knows a thing or two about the makin’ of stories.
Acknowledge Your Own History © Jungle Brothers
Bonus: The following is a cool idea that’s never gonna happen.
To mark 3 Feet’s two-decade anniversary, De La are putting together a tour, a book and a album including remasters and remixes of the original tracks, along with some “re-interpretations”: In 1989, when the LP was released, samples were a new frontier and many on the album were used without clearances, which would prevent the tracks from being re-released. But De La has an electrifying idea about how they can release those songs.
“We’ve been in conversations with Warner Bros. to explore re-recording some of the songs with some of the people we sampled from,” says Mase, a.k.a. Vincent Mason. The discussions are still in early stages, but the trio is hoping to cut “Say No Go” with Hall and Oates and “I Know” with Steely Dan, among other tracks. “It’s real cool to know that we have lasted this long, people appreciate what we do,” adds Posdnous, a.k.a. Kelvin Mercer.

3 Stacks continues to annoy me with his humility.
VIBE: Are you concerned about the future of your career?
Yup. Always.
Why?
Because the times are changing. You can’t run from time, no matter what you think. Some of the greatest people in the world, whom I love, time caught up with them. No matter how great they are, time catches up with you. And you have kids that grew up listening to you, that have learned and studied what you do, and perfected it, and took it to other levels—that’s what we’re here for.
I was influenced by somebody and, hopefully, I influenced somebody else. And then somebody get influenced by them—it’s steps. You almost got to make a way for what’s to come.
No you don’t. You gotta make dope shit and keep influencing them. Get in the studio and make the solo album we’ve all been waitin’ for. I’m gonna make some new T-Shirts: Veteran Rappers Need Teaching Too.
Props: V60
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.