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Nice to see these brothers still gettin’ recognized. Report claims they placed beats on next Slaughterhouse and Ghostface Killah albums. Although not part of this video, here’s what they had to say about their future projects.
On Ghostface Killah: “We cooking that up right now. The last three Ghost albums we been on. The last one we had five [tracks]. … The chemistry with Ghost is very good. It’s mostly an automatic thing. He’ll have a beat CD for a minute and when he’s ready, he’s like, ‘I want this one this one and this one.’ It just happens.” – Sean C.
On Clipse: “We got three on [their next album]. I’m exited about that. They spit your head off. It’s hard, straightforward, aggressive. They do what they do.” – Sean C.
“The beats don’t sound like us. One of them does, but the others don’t.” – LV
On Slaughterhouse: “We’re really in the beginning stages of it. We’re trying to scope a sound for Slaughterhouse so it’s their sound, not somebody else’s. We’re sending them joints, they got a bunch of joints they picked.” – Sean C.
On Wale: “I think he sounds real good. I definitely like the record we did. I like the Cool & Dre record. We went in a few times with him. The joint we did got Travis Barker on the drums. Wale got that done while he was is in L.A. The beat was done, then Travis played over it, then we played on top of what Travis did.” – LV
“It’s called ‘OG.’ He’s talking about how OGs schooled him to the game and how they was when they were young and how he listens to them. It’s not a street OG thing, but he touches on how things were different at that time.” – Sean C.
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This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.