Yep, Tha Doggfather’s down with the King. Broken Cool
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While Tony is smokin’ his life away in Amsterdam, he’s not on site to back up Lloyd Banks for his “Beamer, Benz, or Bentley” performance. Welp, Whoo Kid to the rescue and the two rehearse backstage. Let’s just hope the Haitian Barry White sticks to the turntables. Ha!
[vodpod id=Video.3303254&w=425&h=350&fv=] Red Cafe and Fab get their Fast And The Furious on through the mean streets of New York. The real question is what took so long for this video to drop?. Oh well, better late than never. WSHH
The man on the moon made a surprise landing in L.A. two weeks ago for DJ A-Trak and Travis Barker’s show at The Roxy. With Cudder on the mic and Travis on the drums, the pair pulled off a dope performance. Pics from the venue after the jump. Dat New Cudi
[vodpod id=Video.3301871&w=425&h=350&fv=] 50 Cent sits in the directors chair as Yayo does his one-two thing inside a luxury suite. Sweet. A different chick in each room? Where do we check in? OnSmash
This afternoon, 106 premiered Usher and Nicki’s freak anthem. It’s one of the few listenale joints from Ush and hey, the video isn’t bad neither. Raymond v. Raymond in stores March 30th.
According to what Pill says on stage, this is the first time he and Freddie Gibbs performed “Do Wrong” at the URB showcase in Austin. After the jump, the dynamic duo drop “Run Up To Me”. They make a good combination, don’t they?
Another funny XXL Freshmen with the ladies on his mind, Pill provided me with a quick talk outside the Nah Right/TSS showcase. He speaks on his close relationship with Freddie Gibbs, his hometown barbecue cover celebration and the possibility of DJ Drama crafting the next mixtape, 1140: The Overdose. And like that… I’m gone. Ha. Previously: “Thoughts”
Not all interviews are formal. And you know, YN got that thing on him (Flip cam, son). With Kidz In The Hall providing a cosign, here’s one XXL Freshmen who’s ready to sow his royal oats. Ladies get ready for that Fashionably Late. You are appreciated.
Yela explains why he deaded his original idea to follow-up his Trunk Muzik mixtape so quickly. Look out for the TM re-release 0 to 60. And then, major label deal on deck? Hmm.
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.