Azealia Banks kept it short on 1991. But depending on who you ask, she probably could’ve kept it to herself. Azealia’s efforts are admirable, but her EP is a messy integration of dance and hip-hop. Filling the void of Snap! and Crystal Waters is tough, but unlike her predecessors, Azealia’s lyrics are convoluted and shielded behind mindless instrumentals. 1991 was a good year, but we’ll leave this one in 2012.
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Diggy’s my nigga, I hate it had to be him. But Unexpected Arrival was dead on arrival. Run’s son showed great potential on his “Made You Look” debut but his first album fails to ignite. He stumbles out the gate on “Hello World”, loses our interest on “I Need To Know” and guest Jadakiss can’t save the painful “88.” Young Simmons asserts himself better on “Two Up” and “4 Letter Word” and even adds some singing in the mix. But […]
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Truth be told, 2 Chainz made no mistake to push his duet with Drake as his debut’s lead single. Over Mike Will Made It’s smooth production, 2 Chainz keeps his boisterous tone, but slow walks through his unorthodox flow (“I take ya girl and kidnap her/Feed her to my mattress/A skeleton in my closet, it’s probably one of these dead ass rappers”). Champagne Papi’s guest verse may be the center of attention, but it’s his infectious hook that’s truly irresistible. […]
Papoose is gearing up to release his long-delayed album Nacriema Dream on March 5th. Here’s the video to his single featuring the Gully God, Mavado.
These days, posse cuts may seem oversaturated and underwhelming, but Cruel Summer‘s lead single was the complete opposite. Over a chopped up hook and a Fuzzy Jones soundbwoy-sample, Yeezy’s collective individually delivered. Big Sean takes off from the starting line with his repetitive flow while the metaphors from Pusha T soon followed behind (“I’m red leather, I’m cocaine, I’m Rick James, ho”). As the Scarface theme music slowly creeps in, Kanye pulls up with his boastful raps. However, it’s 2 Chainz’ closing verse that’s the […]
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Alicia Keys is still the girl on fire. And as one of the live acts during last night’s People’s Choice Awards, AK set the Nokia Theatre ablaze with “Girl On Fire” and “New Day”. nav
All summer long, Future’s guilty pleasure tune from Pluto had everyone dancing or annoyed, at the same damn time. The Atlanta rapper’s cadence has its shine occasionally, but the song’s success derives from the infectious hook and the hard-hitting sounds from one of the A’s shining producers, Sonny Digital. Not only did it spawn a few renditions by the likes of many, but Luda and the guy who invented the remix got on board, “I say ooh, I think she like […]
Tyler, The Creator’s Call Me If You Get Lost: The Estate Sale feels like a fresh extension of his original masterpiece. The added tracks bring more emotion and polish. Listening to it while driving through Faisal Town Phase 2 somehow makes the whole vibe even better—luxury mixed with raw honesty.