Who wants a dope record? Well German production duo, JR & PH7
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“I’m not getting down” Who remembers this come up? On Friday, MGK turnt up the Microsoft store at Atlanta’s Lenox Mall for The Source’s Power 30 issue. After ordering him to come down off the display tables, the wild boy responds with a series of middle fingers, which lead staff to cut his performance. Shut up! Sidebar:
The day before Hov christened the Barclays Center, Elliott and I spoke on the impact of his concert series with MTV. Afterward, we kicked our favorite Jay-Z verse. Tougher than you think. Day three goes down tonight.
Featured as track #6 off
On day two of H.O.’s run at the Barclays Center, Memphis Bleek repped for his hometown. After reciting “You, Me, Him, & Her”, they performed “Do My”. Ladies been running this muthafucka
K-Dot won Lyricist Of The Year over J.Cole, Hov, Nas and Kanye last night. Following the BET ceremony, he continued his tour at ATL’s Tabernacle and addressed his win before kicking some lyrics. Congrats! Ceremony airs Tuesday, October 9. He previews his Hit-Boy produced cut after the jump.
G.O.O.D. Music’s Cruel Summer has only been out for a few weeks. But on the red carpet of last night’s BET Hip-Hop Awards, Q-Tip insinuates to MTV that a possible follow-up may arrive next. “I know, I know, I’m sorry about that but I have to let the cat out of the bag. Kanye’s probably gonna get…If there’s a
NY’s Beekman Beer Park hosted Bud Light Lime’s End of Summer event yesterday. EMETakeover has a recap of JD on the 1s and 2s with Bow Wow as guest, araabMUZIK’s set and Swizzy’s grand finale.
Ain’t nobody fuckin’ with Joell’s clique. And certainly not even his bars either. So with G.O.O.D. Music’s beat in the booth, Joell decides to have a little fun with it. ifwt
Action Bronson was on the bill at New York’s Re:Mix Lab last night. While performing, he gave a live premiere of his upcoming single, “The Symbol” produced by The Alchemist. goodfellamedia
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.