Money is sure the root of all evil. So there is no need for greed in .38 Spesh’s new video off his, Time Served. Download the mixtape here.
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Everything is up for grabs, even new music from Bleek. Today, he tries his hand over God Forgives, I Don’t opening track, “Pirates”. Kush Gang coming soon.
More than likely While You Were Sleeping, Jon visited DJ Kay Slay’s show and turned Streetsweeper’s Radio show out with a in-studio rendition of his mixtape’s third track.
Wiz Khalifa is hitting the road once again and this time, he’s bringing the whole gang with him. See where the trek stops after the jump. Don’t worry, they’re all in 2012.
Featuring footage from its recording process, Soca singer Machel Montano and company turn the studio out in the accompanying visual to their track. Pretty shaky clip. hhnm
It’s that time of the year and Forbes has released this year’s Cash King’s top 20 list. Dr. Dre cashes in at numero uno. Peep the remaining below. 1. Andre “Dr. Dre” Young ($110 million) 2. Sean “Diddy” Combs ($45 million) 3. Shawn “Jay-Z” Carter ($38 million) 4. Kanye West ($35 million) 5. Dwayne “Lil Wayne” Carter ($27 million) 6. Aubrey Drake Graham ($20.5 million) 7. Bryan “Birdman” Williams ($20 million) 8. Nicki Minaj ($15.5 million) 9. Marshall “Eminem” Mathers […]
Freestyles are mandatory on Invasion Radio. Here’s how DZA did when he was put on da spot with Wiz Khalifa and Too $hort’s “On My Level”.
Troy Ave makes the best of the last few weeks of Summer with a pool party in his new clip. Keep your cups filled and download Bricks & Backpack 3 here.
Joe took a break from Instagram last night and held court at S.O.B’s to perform with a live band. For those that weren’t present, EMETakeover provides the highlights they captured on film. UPDATE: Joe breaks down during “Truth Or Truth”
Whether your swallow, snort or inject it, Rocky, Ant and the Flatbush Zombies take us to cloud 9 in their new flick. Off A$AP Mob’s project, Lords Never Worry.
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.