Troy Ave makes the best of the last few weeks of Summer with a pool party in his new clip. Keep your cups filled and download Bricks & Backpack 3 here.
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Joe took a break from Instagram last night and held court at S.O.B’s to perform with a live band. For those that weren’t present, EMETakeover provides the highlights they captured on film. UPDATE: Joe breaks down during “Truth Or Truth”
Whether your swallow, snort or inject it, Rocky, Ant and the Flatbush Zombies take us to cloud 9 in their new flick. Off A$AP Mob’s project, Lords Never Worry.
Before Big Sean takes us to Detroit tomorrow, we follow him out in the middle of the wilderness for his new music video. Remember: only you can prevent forest fires.
In the memory of Chris Lighty, Fat Joe pays his respects with an opening verse to Slaughterhouse’s emotional record which also includes a new verse from Joell Ortiz in tribute Hot 97 executive Chris Nadler, who also passed away recently. R.I.P. Chris Lighty. flex
From L.A. to the Bay, bitch ass niggaz better make way for Xzibit’s new banger featuring E-40. Produced by Rick Rock and off his forthcoming LP, Napalm dropping October 9. hhnm
With no intentions on slowing down, Clyde Carson picks up the pace with Gucci Mane and a few of Cali’s finest for the remix. The more the merrier. Premiered DJ Charisma.
X in the box ’cause ain’t nobody checking me. Ty Kidd Previously: Like A Pimp
Directed by Eif Rivera, Curtis keeps it simple, yet sexy for the latest visual off 5 (Murder By Numbers). If the song doesn’t do it for ya, the leading lady in the video will.
2 Chainz began his B.O.A.T.S. tour last week. Kicking off his new vlog series, we get a look at the kick off in Richmond, VA and his appearance at Made In America. The first minute of this clip is pure hilarity.
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.