DJ Scream extends Ca$h Out’s 15 minutes, in this new pugilistic video. More than likely, this will appear on Scream’s debut Long Live The Hustle dropping on November 20th.
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Timbaland held court last night at The Fontainebleau’s Liv in Miami. And during his performance he brought out Misdemeanor Elliott. For the second time, she performed “Triple Threat” and a new song, “9th Inning”.
And now for our feature presentation. Hov brought the ruckus, Memphis Bleek, and State Property (Damn Beans, you fucked up!) to the Made In America Festival. So many hits. Check out his performance above. yardie
Gucci rounds up T.I., Rocko, and a bunch of big booty gals for the remix to “Plain Jane”. Fittingly enough, the video is plain as they come.
Towards the end of Hov’s Made In America set, he brought out Kanye and his G.O.O.D. Music crew. The gang’s all here. Pardon their backs. yardie
Jay Electronica emerged from hiding and gave his first U.S. performance this year at the Made In America Festival. Here’s film of him reciting “Exhibit A” and “Exhibit C”. At the end of his set, Jay said his first single will feature Chris Brown. But according to the Act 2: Patents Of Nobility tracklist, Breezy’s nowhere to be found. yardie
This afternoon, Hov kicked off his Made In America Festival in Philadelphia. Maybach Music were the first hip-hop act to hit the stage and here’s footage from their set. yardie
Look up in the sky and it’s Mac Miller with a new record featuring ScHoolboy Q. A PlaneCarBoat seems like a good idea, but much like this song, it’s probably best left as one.
As Miguel’s track continues to make its rounds, it now falls into the hands of Taylor Gang’s own for yet another remake. Who got next?
What happens when you mix Lil Fame and Termanology? You get Fizzyology. Here’s the video and title track from their upcoming album dropping November 6th. Produced by The Alchemist.
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.