Queens neophyte Bryant Dope has the heart of a champion. And for his latest track produced by Hannibal King, he flips the sounds of Smif-n-Wessun’s classic. Off his upcoming mixtape New New York this Fall. fader
Latest Posts
Riding shotty across town, Big Sean gives us a first listen of his J.Cole-collabo. Like the previous tease, this sounds good so far. Detroit drops September 5.
Miguel’s “Adorn” is a certified hit. So now Busta and his Conglomerate decides to hop on the record and give it their own touch.
Not in your typical fashion, Yo Gotti cranks up the auto-tune and decides to share his version of Future’s record. Uh, someone turn off his mic.
Yasiin and Mannie recently locked themselves in the studio. Here’s footage of the pair working on a track titled “OMFGOD”. Let’s hope the final outcome surfaces soon. More footage coming soon.
Slaughterhouse get it the ski pig mask way with Swizz Beatz in their new video. Spolier alert: There’s an Eminem cameo. welcome to: Our House available now.
Waka turns his music video into a laser light show with the assistance of Nicki Minaj and Tyga. One “Low” video was probably enough for Flo Rida. Triple F Life available here.
Mikkey puts his inner city struggles on to the small screen for the first visual off his latest mixtape, Castro. Produced by No I.D. and directed by Alex Wessly. We see you Common.
[tweet
Boaz keeps it in PA and travels across state for his new track featuring Freeway. Bases Loaded sometime in September.
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.