In the wake of the Frank Ocean road rage incident, Chris Brown extended an olive branch to him and the rest of Odd Future. Tyler seems to be down. Time to numb this pain.
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This was shot in Feb. and the long-awaited video is finally coming out manana at 5pm on iTunes and Saturday night/Sunday morning midnight on Vevo. Set your DVRs, stans!
Kreayshawn’s “Gucci Gucci” viral racked up on views and today, the Columbia Records signee keeps it moving with her latest cut dedicated to all you upscale hoes. No disrespect ladies.
Jon Connor continues to feed us with new music and here is the 3rd release off his upcoming project, Salvation which drops on July 12th. Produced by Rob “Reef” Tewlow.
At last night’s Duck Down show in BK, the label CEO returned to his rhyming past on a performance of the Black Moon classic posse cut, “U Da Man”. U gotta love it! blow
[vodpod id=Video.11605581&w=540&h=350&fv=] These ladies got talent on ‘dem poles. Not that type of pole, but the ones you find at the strip joint. Thanks to SpiffTV, we get to see it all in Pill’s new flick. NSFW (That’s Not Safe For Work) and off Self Made.
The self-proclaimed princes of Hip Hop and R&B reunite for another duet. Ain’t no tellin’ where this will go, but for now, enjoy the best of both worlds. ifwt
Wale continues to bait the ‘net with new music. And on this go around he collaborates with the Total Control Band.
Statik & Freddie finished their 7 track EP live last night on UStream and here is one of the tracks from the project, Lord Giveth, Lord Taketh Away which will be dropping tonight at midnight. Tracklist after the cut.
If this is what Summer is like in the Windy City, we might have to make a trip soon. With that being said, here’s the video for Mikkey and Twista’s newest collab. Produced by Tha Bizness. fsd
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.