In light of today’s day, Meth tells SoulCultureTV that Father’s Day does not get the recognition it deserves and that other holidays are just marketing schemes. True that.
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Shot during their recent Australia excursion, Spliff and Joey put it all on the small screen for their recent cut courtesy of SSG Films.
[vodpod id=Video.11294689&w=540&h=350&fv=%26rel%3D0%26border%3D0%26] One more from the big show last night in the A. You know with Roscoe Dash on the bill, DJ Drama had to get his new single off. Still sounds like a summer anthem to me. Congrats on the E1 deal to my lightskin brother in the struggle.
[vodpod id=Video.11294380&w=540&h=350&fv=%26rel%3D0%26border%3D0%26] The headliner of last night’s Birthday Bash was Ricky Rozay. During his set, guest Ace Hood came out to recite his track “Hustle Hard (Remix)” along with Ross. Guess Weezy left early with Jeezy. iamkingxxi
Kimmy, is that you? G-Unit’s new recruit brought out the Queen Bee during his set at last night’s BDay Bash. Boi stop. Girl stop too. hotspotatl
Here’s film from Odd Future’s show last night in their Los Angeles stomping grounds. These damn fans are instigators. Sorry Breezy. Don’t tell Game.
Mr. International debuted his new tune at a show last night in Lausanne, Switzerland. Pardon the less than stellar fan footage. Curtis Back?
[vodpod id=Video.11253808&w=540&h=350&fv=%26rel%3D0%26border%3D0%26] Hot 107.9 in ATL celebrated their 16th annual Birthday Bash concert. When Rocko hit the stage he brought out Young Jeezy who then in turn brought out Lil Wayne. Ballin’ outta control. hsatl
X to the V has finally hit 30,000 followers on his Twitter, so in return, he takes us above and beyond with a new track.
Art: Ty Kidd Curtis is creepin’ on a comeback. 16 for 16 in ’11? You decide.
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.