Joey attempts to collapse the Internets from the inside with a rough version of “Implodes”. Produced by J.Cardim, the track will be featured on his re-release of Mood Muzik 4.5 on May 24th.
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For Cons’ latest track, he tacks a crack at over the “All For One” instrumental. Movies On Demand 3 is still coming.
Burn this muthafucka down. Ty Kidd Previously: From L.I. To The Bronx
[vodpod id=Video.9024003&w=540&h=350&fv=configParams%3Dvid%3D652651%26amp%3Buri%3Dmgid%3Auma%3Avideo%3Amtv.com%3A652651] Late last year, Nas said there wasn’t a release date yet for Lost Tapes 2. But now, he tells Sway that due to miscommunication with Def Jam, he’s no longer releasing it. A tissue for your sorrows.
Flex drops a bomb on Joell Ortiz’ freestyle over Swizz Beatz’s latest single. Don’t be too cool to press play.
[vodpod id=Video.9022846&w=540&h=350&fv=%26rel%3D0%26border%3D0%26] Pusha T continues to unleash more visual aids in support of his mixtape, Fear Of God. With all that blow, can anyone still feel their face? Directed by Mike Carson and Mike Waxx.
[vodpod id=Video.9019252&w=540&h=350&fv=] Wes Fif and Vitamin E Films round up Big K.R.I.T. and CyHi Da Prynce for his new video. Stick up kids are out to tax.
[vodpod id=Video.9019648&w=540&h=350&fv=%26rel%3D0%26border%3D0%26] Before Mr. Hood’s new mixtape Body Bag Vol. 1 drops on May 21st, he fires away a clip for the project’s intro.
Complex got a hold of one Self Made‘s more anticipated tracks featuring J.Cole. Lace up your shoes and cop it next Monday. Bonus: Rick Ross ft. Wale, Meek Mill, Pill & Teedra Moses “Self Made”
Jada gets some assistance from Styles P and Chynk Show to lay down some tough verses for this new joint that will appear on his I Love You mixtape on May 24th.
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.