
Here’s a leak, (no pun intended) off Chester The Molester’s upcoming The Demo Tape with DJ Skee and DJ Drama. After a quick listen, I’m starting to believe Robert’s best days are behind him.
{mp3}tip the waiter{/mp3}

Here’s a leak, (no pun intended) off Chester The Molester’s upcoming The Demo Tape with DJ Skee and DJ Drama. After a quick listen, I’m starting to believe Robert’s best days are behind him.
{mp3}tip the waiter{/mp3}
[youtube=http://www.youtube.com/watch?v=UgzhWk7io0A]
In the teaser for Reggie and Clif’s upcoming web series, the Buddah Bros. talk to Ed Lover about hip-hop’s best era, the 1990s. 1998 > [Your favorite year here]
[youtube=http://www.youtube.com/watch?v=lJ48rVCwnSI]
DJ Smallz checks in with the producers of the year while cooking something marvelous at Officer Ricky’s precinct house.
[youtube=http://www.youtube.com/watch?v=ndY8HDNjmkI]
Marshall should extend his services to 90% of the game. O’kay?!
Spotted: Broken Cool
[youtube=http://www.youtube.com/watch?v=hv764VxftjU]
With KRS-One looking on, Killer Killer from Adamsville tears the mic to shreds at Hip-Hop Appreciation Week at The Loft in Atlanta. This guy’s underrated like a bad report card.
Props: Maurice G.
{mp4-flvremote width=”540″ height=”350″}http://video.ak.facebook.com%2Fvideo-ak-sf2p%2Fv2685%2F25%2F40%2F1046450292776_41684.mp4{/mp4-flvremote}
Travis Barker knows how to party like a rock star. After all, he’s had on the job training as the drummer for Blink 182. But truthfully, the So Cal native’s a hardcore hip-hop head. In fact, he’s fiddled his sticks for P.Diddy, Soulja Boy and The Game. More recently, he was commissioned to remix Eminem’s “3 A.M.”. Trav phoned in with Rap Radar to discuss how the project came to fruition.
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According to Bun B, his UGK partner Pimp C was first approached to be on Hov’s song with Too $hort before they seized the opportunity later on “Big Pimpin’.” I didn’t know that. And I call myself a Jay-Z authority. SMH.
Props: Vibe TV (2:42 mark. Click on the screen)
[youtube=http://www.youtube.com/watch?v=8ni-1gfFRUU]
Wow, he actually sat down and interviewed them. That breaks the late night rules. Performance after the jump.
[vodpod id=ExternalVideo.891296&w=425&h=350&fv=]
Nice to see these brothers still gettin’ recognized. Report claims they placed beats on next Slaughterhouse and Ghostface Killah albums. Although not part of this video, here’s what they had to say about their future projects.
On Ghostface Killah: “We cooking that up right now. The last three Ghost albums we been on. The last one we had five [tracks]. … The chemistry with Ghost is very good. It’s mostly an automatic thing. He’ll have a beat CD for a minute and when he’s ready, he’s like, ‘I want this one this one and this one.’ It just happens.” – Sean C.
On Clipse: “We got three on [their next album]. I’m exited about that. They spit your head off. It’s hard, straightforward, aggressive. They do what they do.” – Sean C.
“The beats don’t sound like us. One of them does, but the others don’t.” – LV
On Slaughterhouse: “We’re really in the beginning stages of it. We’re trying to scope a sound for Slaughterhouse so it’s their sound, not somebody else’s. We’re sending them joints, they got a bunch of joints they picked.” – Sean C.
On Wale: “I think he sounds real good. I definitely like the record we did. I like the Cool & Dre record. We went in a few times with him. The joint we did got Travis Barker on the drums. Wale got that done while he was is in L.A. The beat was done, then Travis played over it, then we played on top of what Travis did.” – LV
“It’s called ‘OG.’ He’s talking about how OGs schooled him to the game and how they was when they were young and how he listens to them. It’s not a street OG thing, but he touches on how things were different at that time.” – Sean C.
Masego continues to show his creativity and versatility with Studying Abroad: Extended Stay. The combination of live instrumentation, smooth vocals, and West Indian influences makes this project an exciting listening experience. Adding new collaborations with talented artists gives fans even more reasons to explore the album and appreciate its musical diversity. I also appreciate how music and learning can connect through creativity, exploration, and new experiences. In the same way that listeners explore different musical styles, people can improve their practical skills by learning useful techniques such as "How to calculate proportions easily". Understanding proportions can make everyday calculations, comparisons, and problem solving much simpler. This is a great reminder that exploring new ideas can be rewarding in music, education, and daily life.